8/31/13

Virginia State Univeristy to Exhibit the US & China show





The US and China Typographic Poster Exchange 2013 that I co-currated with Xu Li will be shown at Virginia State University on September 5th 5:30PM at Meredith Art Gallery on the 2nd floor of Harris Hall. The gallery is located on Virginia States University Campus (1 Hayden St, Petersburg, VA 23806).

This reception is FREE and open to the public.

About
This exhibition's mission is to introduce both culture's respective use of typography while helping us better understand our own use of language and inspire new typography.

The exhibition features work by two VSU faculty, Ann Ford & Meena Khalili.

This exhibition is touring in currently touring China you can find more info here: www.typoshow.com

8/29/13

Famous Cartoonist, James Sturm Coming to VCU



I designed this poster as the Comm. Director of VCU's Dept of Comm Arts.

The even is FREE and open to the Public
7PM Monday Sept. 16th at the Singleton Center
(922 Park Ave. Richmond, VA 23284

James Sturm is a cartoonist and educator. He is currently the Director of The Center for Cartoon Studies, a two-year cartooning school located in White River Junction, Vermont.

In 1991 James received a Master of Fine Arts from the School of Visual Arts in New York City, moved to Seattle and co-founded the alternative weekly, The Stranger. That same year Fantagraphics began publishing his Eisner-nominated comic book series The Cereal Killings.

During the next five years James was the art director of The Stranger, collaborated with syndicated columnist (and talking head) Dan Savage producing two issues of the comic book Savage Love. In 1996 James received a Xeric grant for his comic The Revival. From 1997-2001 James lived in Savannah, Georgia and taught at the Savannah College of Art and Design in the sequential art department.

In 1998 Drawn and Quarterly published the story Hundreds of Feet Below Daylight, the second in a trilogy of American historical fiction pieces. Three years later came the last installment of the trilogy, the best-selling and award-winning graphic novel The Golem’s Mighty Swing. The book has been translated into several languages and was named “Best Comic 2001″ by Time Magazine.

An avid collector of Marvel Comics in his youth James wrote and designed the 2004 Eisner award winning Unstable Molecules, a four issue series and trade paperback featuring the characters based on the Fantastic Four, and published by Marvel Comics.

James’ most recent books include Satchel Paige, Striking Out Jim Crow, Adventures in Cartooning (with CCS alumni Andrew Arnold and Alexis Frederick-Frost), and Market Day. With CCS alumni Brandon Elston, James edited Denys Wortman’s New York.

James’ writings and illustrations have appeared in scores of national and regional publications including The Chronicle of Higher Education, The Onion, The New York Times, Slate, and on the cover of The New Yorker.

8/24/13

The Little Black Fish is now available for only 99 cents!

My comic adaptation of "The Little Black Fish" is no available digitally for only 99 cents! This is a great story and not very much to purchase a copy. I mean, you probably tip your local barista more when you buy a cup of joe. So check it out guys!

A story about an inquisitve little fish that decided to question authority through a journey from the safety of her own stream to the expansive sea. Sample pages are available here.



Available on these platforms $0.99!








Still available in print.

$6.95 Perfect bound 50 page book.

For US and Canada

For everywhere else.

8/13/13

Tumblr account!

Just signed up for my tumblr account. I will be posting more of my process work and some behind the scenes kind of stuff on it. You can follow it at http://mendedarrow.tumblr.com/


7/30/13

NEWS: Publications and events.

Recently received physical copies of an issue of B|ta'arof magazine that features a spread on my Little Black Fish Adaptation. B|ta'arof Magazine is a print magazine & website featuring visual arts, critical essays, curated archives, & oral histories of Iran/Iranians across generational & geographic borders. 

You can purchase a copy here. 





Also recently received the catalogue for a group exhibition of posters on the occupy movement that was up in Italy. My poster was featured in the exhibition and is seen in the catalogue (see below image.). The exhibition's title was "We are the 99%." It was up in Bolzano,Italy at AR/GE Kunst Gallery and Museum in March. 







The exhibit that I co-curated with Xu Li titled, US/China Typographic Poster Exchange 2013, has been taken down, but will be up in September at Virginia State University (more on that soon). RVANews did a great article on the exhibit found here. Some photos of the exhibit can be seen
here. More info about the Chinese counterparts can be found here.




I participated as an illustrator for a book celebrating the history of the Civil War with fictional writing titled,
"Remapping Richmond’s Hallowed Ground." They are having an event this Sunday August 11, 2013. The event includes live music and public readings. More info here.



7/25/13

New Work: CA Promo Book

This was a ongoing project as part of my position, Communications Director of the VCUarts Department of Communication Arts.  It is finally at print!

The project involved a few information systems and a lot of tracking down images from students and faculty. Many of the B/W photos of students are mine. Happy with the end result. Stop by at 812 W. Franklin St. Suite 201 if you are interested in our department.


Cover

Shot of insides

Shot of nfo system for degree requirements. 

Inside info system next to student work. 

Required class list and descriptions.





7/24/13

New Work: The Little Red Fish

I have been working a lot on some projects, I just haven't been the best at posting them. One of which is "The Little Red Fish." It is sort of a post "The Little Black Fish" story. The current working title is "The Little Red Fish." It is intended to be a political allegory similar to Animal Farm, but loosely based on the events leading up to the Iranian revolution and primarily following the leftist groups. Below is some of the test on the style and approach. The writing will be done by James Moffitt, a local author who's short stories remind me of magical realism.

Below (click to enlarge) is a test for style, environment and colors. Learning how to draw differently with this project has been very exciting. I feel like I am finally figuring out an approach to drawing and coloring that feels natural to me.




Below (click to enlarge) is a test for a cave that might be revisited multiple times in the story as well as a lighting test for the inside of a cave which might be an important element of the story.
Below (click to enlarge) is a weapons concept session. The point of departure is "what could fish make weapons out of." The scribbling next to the weapons is part of the process where I'm using chance to compose the weapons. The bottom right weapon is a club made with sticks, rope made from vegetation and a marble. The bottom left weapon is a failed attempt at using a drill bit. Heh. 



6/26/13

A Roman Holiday Strikes Back


Just finished this poster for the band, "A Roman Holiday." If you are curious you can download their entire "Death by Roman Holiday" album on bandcamp for FREE. 
 
General Update
Still spending most of my time working on a long term commissioned comic project for VCU's Facilities Management and a booklet for VCUarts' Communication Arts Department. Fitting stuff like this in between. I'll make sure to post pages of both closer to their completion.

Also starting to do a sort-of sequel to "The Little Black Fish." More info on that later. Otherwise, still working on a parallel narrative about cats and finishing up Richmond Monuments. 

Bellow is more information about the event
Due to the recent release of "Death by Roman Holiday" it only made since to resurrect the band again. This time with A ROMAN HOLIDAY's kindred spirits Hot Lava and A Roman Holiday superpant's FIRST CREATURE.

A Roman Holiday was/(is for one night) an indie rock band from Richmond in the early 00's that stole riffs from Pavement, David Bowie, Radiohead and was infamous for their cover of the Queen/Bowie hit "Under Pressure" and Outkast's "Hey Ya" in the basements of Catherine Nottingham's properties.

$5 Cover | 18+ | 9PM Doors // 10PM Sounds
At Strang Matter
929 W. Grace St.
Richmond, VA 23222
A ROMAN HOLIDAY (reunion show!)
http://www.myspace.com/romanholiday
HOT LAVA-you better recognize!
http://hotlavaiceland.bandcamp.com/
BLACK TAXI
http://www.blacktaxi.com/
FIRST CREATURE-doomy psych pop?
http://firstcreaturerva.bandcamp.com/

6/11/13

New Work Cartoons and Cartoons

I received two requests to do fun cartoon characters. They both requested the same kind of drawing approach so I thought that I would post them both together.


The first is an illustration for the famous kids band, Silly Bus. They are working on a music video and needed a cartoon owl to fly around one of the band members. What you see is a profile and side view - as well as alternate versions of the eyes and what the wings look like separated.




This next project is for James River Grounds Management (JMGM). They wanted me to design their fox mascot wearing the JMGM company uniform in a way that looked similar to their existing costume.




Below you see the initial sketches. 

6/7/13

Work up at Occuprint: We are the 99%


My 99% Poster (picture above) will be exhibited with many other posters that supported the 99% movement during it's beginning stages. The show is up in Bolzano,Italy at AR/GE Kunst Gallery and Museum this month. The exhibition includes a catalogue of all the posters included in the exhibit. More info below.



OCCUPRINT
We are the 99%

Vernissage 14.06.2013 7 pm
14.06. – 03.08.2013

Curated by Luigi Fassi in collaboration with www.occuprint.org

The Occupy phenomenon began with the occupation of Zuccotti Park, Wall Street, New York City, on 17 September 2011, and then quickly spread to 82 countries, unleashing an unexpected global wave of protest, renewal and hope for change in the midst of the economic and social crisis that has gripped most of the Western world. 

At the high point of the movement’s political innovation, the curatorial collective Occuprint was formed in the United States to grant visibility to the most outstanding artistic manifestations produced by the Occupy Movements on an international scale. The trigger was an invitation by the Occupy Wall Street Journal to create a special issue on poster art, in a continuously growing digital platform that conserves and promotes the graphic output of the various Occupy Movements scattered across the continents. 

The posters gathered by Occuprint concentrate on messages and proposals aimed at changing the relationship between the 1% of the world population accused of perpetrating policies for its own gain, and the 99% that is subjected to their consequences. Precisely the statement “We are the 99%” returns most often as a slogan in the materials on display at ar/ge kunst, bearing witness to the collective, worldwide character of the Occupy phenomenon. Resistance, dismantling of the status quo of privilege and absolute opposition to any top-down, anti-democratic policy are thus the key concepts of the Occupy ideology as it is reflected in the posters. 

The main characteristic of the posters shown at ar/ge kunst is their way of representing a true programmatic agenda, ranging from international policy proposals to the renewal of modes of industrial production and labor, all the way to the definition of a new ethical model of collective welfare, based on principles of solidarity and sharing of public assets. The idea of democracy as the sharing of the commons is thus contrasted with the greed of privatizations dictated by neoliberal policies of an American matrix that meet with increasing consensus among European governments.

The Occuprint collection thus reveals political and economic discourse that is much more complex than it might appear at first glance. Slogans, quips, satirical drawings – ranging from Native Americans to the Wall Street bull to protests in Spanish in South American countries, and those in various European cities, form a semiotic arsenal that sums up, in quick lines, all the unsolved problems the Western world will have to approach in the years to come. 

Viewers, including those unaware of the Occupy movements, are thus presented with an overview of the new scenarios that enliven the political debate on a global scale; not the official debate of parliaments and governments, but the more authentic discussion, the reaction that comes from the bottom up as the result of the action of the new citizens of the world, in all the cities of the contemporary world. 


With the kind support of:
Provincia Autonoma di Bolzano, Alto Adige, Deutsche Kultur
Fondazione Cassa di Risparmio, Alto Adige
Città di Bolzano, Ufficio Cultura
www.occuprint.org


Gallery hours
Tu-Fr 10 – 13, 15 – 19  /  Sa 10 – 13
Free Entrance