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Digitally colored collage of old engravings for: parents, in-laws and grand parents.
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Stencil of Frita Kahlo on watercolor paper for my wife.
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Capstans Shafts poster for Gallery5
All work is by Bizhan Khodabandeh
Somewhere between an opening, house party and being a fly in a designer's studio; VCU design departments are opening up the studio doors to the public and the Richmond design community. BFA and MFA studio process and projects from the Departments of Interior Design and Graphic Design can be seen December 17 from 5:30 to 8 pm in the Pollak Building, 325 North Harrison Street. Open Nite hopes to bridge the gap between professional and educational activities with the aim of making design a thoughtful presence, important attribute, necessity and force in RVA. This event is free and open to all.
We want universal abolition of the death penalty in 2010. It’s simple. The death penalty is a violation of human rights. Article 5 of the Universal Declaration of Human Rights states: “No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.”
How does that fit with beheading, stoning, hanging, lethally injecting or shooting someone?
The problem is that there’s no going back on a death sentence. And in a world where every judicial system makes mistakes, it’s inevitable that innocent people will be executed. Which is simply not acceptable. More than two thirds of countries in the world agree, and have banned executions.
Sadly, shamefully, 58 still persist in killing people in the name of “justice.”
In 2009, countries with the highest number of executions were Iran (with at least 388 executions), Iraq (at least 120), Saudi Arabia (at least 69), and the United States (52).
In China information regarding the death penalty remains a secret, but estimates show that China executes more people than the rest of the world combined.
But there is hope - the number of people being executed around the world appears to be declining. And in December the United Nations will vote on a universal moratorium on the death penalty. It’s a vital step towards abolishing the death penalty once and for all.
No matter whether you live in a country that practices capital punishment or not, we have to raise awareness across the whole world that the death penalty is a violation of human rights that has no place in modern society.
Edited by Edward Morris, Dmitri Siegel. Text by Michael Bierut, Thomas L. Friedman, Steven Heller, Edward Morris, Dmitri Siegel.
Published by Metropolis Books
This book brings together the strongest contemporary graphic design currently promoting sustainability and the fight against climate change. Collectively, essays by Michael Bierut, Steven Heller, Edward Morris and Dmitri Siegel look back in time to posters and ideas that set the stage for the current movement (World War Two posters, images of international cooperation, posters from the environmental movement in the 1960s and 1970s) and address the state of the poster: what is the efficacy and mode of distribution for purposeful, message-oriented graphic images today? Thomas L. Friedman advocates for "a redefined, broader and more muscular green ideology that can be the basis of a new unifying political movement for the twenty-first century." The bulk of the book is given over to a compilation of the best posters on the theme of sustainability by a variety of contemporary artists (both emerging and established), among them Shepard Fairey, Michael Bierut, DJ Spooky, James Victore and Geoff McFetridge. These posters, which have a strong graphic presence and which never rest on the tired slogans of the past ("Save the Earth," etc.), show that graphic design does not passively respond to the zeitgeist--it helps shape it. The book, which is sustainably printed in the U.S., reproduces 50 of these posters as tear-outs. Also included is a section on action, with documentation of designs at work in the world: on buses, billboards, protesters' placards, graffiti, t-shirts and so on. This movement is about a new form of patriotism, one that exhibits pride of place, but not fear of others.